RSS

GERMAINE CERNAY, Mezzo-Soprano * 28 April 1900, Le Havre, France + 19 September 1943, Paris, France;

28 Apr

Germaine Cernay, born Germaine Pointu (28 April 1900, Le Havre-19 September 1943, Paris) was a French mezzo-soprano who was active both in the opera house and on the concert platform.
Life and career
Cernay studied the piano before entering the Paris Conservatoire for vocal studies under Albers and Engel, winning first prizes in 1925.

She made her debut at the Opéra-Comique in Paris on 16 May 1927 as la Bossue in the Paris premiere of Alfano’s Risurrezione (in French).[3] Other creations at the Salle Favart were Floriane in Éros Vainqueur (de Bréville), la Tour in Le Fou de la Dame (Delannoy), a fairy in Riquet a la Houppe (Hue), and Léonor in Le Sicilien (Letorey). Her other principal roles at the Opéra-Comique included Sélysette (Ariane et Barbe-bleue), a sister (Béatrice), Gertrude (Le roi Dagobert), la fantôme (Les Contes d’Hoffmann), Mallika (Lakmé), Javotte (Manon), title role in Mignon, Souzouki (Madame Butterfly), Vincenette/Taven (Mireille), Geneviève (Pelléas et Mélisande), Cléone (Pénélope), Charlotte (Werther) and one of the voices in Masques et bergamasques.

She was invited to many provincial centres in France and also appeared in North Africa, Switzerland, Belgium, England, Ireland and Italy.

Broadcasting on French radio allowed Cernay to enlarge her repertoire to roles in Carmen, Le roi d’Ys, Le Chemineau, La damnation de Faust, Don Quichotte and La Lépreuse. She also sang in the first performance of surviving fragments of Chabrier’s Vaucochard et fils Ier on 22 April 1941 at the Salle du Conservatoire.

Cernay was one of the best-known concert altos of her generation and highly considered as a Bach interpreter.

She appeared regularly with the Orchestre de la Societe des Concerts du Conservatoire from 1931 to 1942. Her first and last appearances with the orchestra were as alto soloist in the Bach Magnificat, and in 1936 she sang in two performances of the Mass in B minor. Other works in which she sang at the concerts included Trois Duos by Raymond Loucheur, an excerpt from Couronnement de Poppée, Trois Poèmes by Philippe Gaubert, the Duo from Béatrice et Bénédict, Duos by Dandelot (premiere), Szymanowski’s Stabat mater, excerpts from Prométhée, Le Martyre de Saint Sébastien, Jeanne d’Arc (oratorio in seven parts by Louis Beydts, George Dandelot, Loucheur, Tony Aubin, Jacques Chailley, Pierre Capdevielle, and André Jolivet), and the Mozart Requiem. She retired in 1942 to become a nun. A year later she died of status epilepticus.

Image result for GERMAINE CERNAY

As Carmen

As Margared in Lalo’s “Le Roi d’Ys”

Advertisements
 
Leave a comment

Posted by on April 28, 2017 in Mezzo-Sopranos

 

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

 
Powers Behind Grand Rapids

History of Powers and Ball Family

Arioso7's Blog (Shirley Kirsten)

Journal of a Piano teacher from New York to California

THE CABINET CARD GALLERY

VIEWING HISTORY, CULTURE AND PERSONALITIES THROUGH CABINET CARD IMAGES

Operavision

Aprile Millo's View of the Opera/World

78 RECORDS, CYLINDER RECORDS & VINTAGE PHONOGRAPHS

Information and Resources for Historic-Sound Enthusiasts

Ihr Opernratgeber ( Herausgeber: Sven Godenrath )

Sängerporträts, CD & DVD Besprechungen, Rezensionen von Aufführungen

winckelmann in venedig

cronache da una città morta

Il cavaliere della rosa

Un blog orgogliosamente di nicchia: opera, ricordi e piccole manie di un improvvisato collezionista

The WordPress.com Blog

The latest news on WordPress.com and the WordPress community.

%d bloggers like this: