MIGUEL BURRO FLETA, Tenor * 1 December or 28 December 1897, Albalate de Cinca, Huesca Province, Aragon, Spain + 29 May 1938, A Coruña;

22 Sep

Miguel Burro Fleta (1 December or 28 December 1897, Albalate de Cinca, Huesca Province, Aragon, Spain – 29 May 1938, A Coruña) was a Spanish operatic tenor.

Despite his short stage career, lasting from 1919 to 1935, Fleta has been described as one of the most significant Iberian opera singers of the 20th century. Among the important international venues at which he sang were La Scala, Milan, (in 1923-26) and the New York Metropolitan Opera (in 1923-25). Additionally, in 1926, he had the honour of creating the role of Calaf in Puccini’s posthumously-premiered final opera, Turandot, at the insistence of La Scala’s principal conductor, Arturo Toscanini. But this taxing dramatic role took him to the limit of his resources and he did not attempt it again.

Fleta made his operatic debut in Trieste in 1919, having previously studied voice at the Madrid conservatory. Successful engagements in Rome followed, leading to his La Scala and Met debuts. He quit the Met in acrimonious circumstances, however, and the resultant legal action stopped him performing again in the United States.

He was celebrated during his best years for the finesse with which he used his rich, flexible voice. The most notable aspect of his performance style was the nimbleness of his bel canto technique. This enabled him to produce spectacular messa di voce and pianissimo effects. Unfortunately, Fleta’s singing became increasingly self-indulgent as his career progressed. By the late 1920s, as recordings show, his voice had deteriorated badly, with his vibrato loosening to an undesirable extent.

Fleta died in straitened circumstances in 1938. He nonetheless left a legacy of sometimes fascinating records, many of which are available on CD reissues.

Courtesy: Wikipedia

Image result for Miguel Fleta



Photo Courtesy of La Asociación Cultural Florián Rey de La Almunia de Doña

Carmen Mirat and Miguel Fleta’s wedding day

Resulta ng larawan para sa Miguel Fleta Carmen Mirat



Carmen Mirat and Miguel Fleta / Foto de Mundo Gráfico (27 de abril de 1927)


Carmen Mirat and Miguel Fleta on their Wedding Day

Interior de la iglesia de san Esteban durante la boda


Carmen Mirat and Miguel Fleta during the banquet


Foto: Nuevo Mundo (22 de abril de 1927)

Miguel Fleta in Miguelón, o el último contrabandista (1933)

Leave a comment

Posted by on September 22, 2016 in Tenors


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Powers Behind Grand Rapids

History of Powers and Ball Family

Arioso7's Blog (Shirley Kirsten)

Journal of a Piano teacher from New York to California




Aprile Millo's View of the Opera/World


Information and Resources for Historic-Sound Enthusiasts

Ihr Opernratgeber ( Herausgeber: Sven Godenrath )

Sängerporträts, CD & DVD Besprechungen, Rezensionen von Aufführungen

winckelmann in venedig

cronache da una città morta

Il cavaliere della rosa

Un blog orgogliosamente di nicchia: opera, ricordi e piccole manie di un improvvisato collezionista

The Blog

The latest news on and the WordPress community.

%d bloggers like this: